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Much thanks to John Roby and Tyler Yarema for your special contributions to this album. Thanks to George Seara, Greg Kolchinsky and all at Phase One Studios for the great work on the recording. Thanks also to Robert Lowrey for the pianos. Thanks to Jackie Richardson for your great voice and Keith Whiting for your great work in putting this project together.
Doug Riley

1. Crazy Legs (Solo)

2. Riverdale Ramble

3. Carolina Shout

4. Crazy ‘Bout My Baby

5. Gonna Sit Right Down

6. Dinah

7. Spring Song

8. My Baby’s Gone

9. Blue Menace Boogie

10. Jitterbug Waltz

11. Baby Grand

12. Cannonball Express

13. After You’ve Gone

14. Keeping Out of Mischief

15. Walker’s House

16. The Doctor’s Boogie

17. Alligator Crawl
18. Crazy Legs (Trio)
19. Bonus Track - Spring Song - Jackie Richardson


Marshmellow catalog # MMR CD 0031

Marshmellow catalog dsd#

CREDITS:
Executive Facilitator: Barry Lubotta
Produced by: Keith Whiting
Recording Engineer: George Seara
Assistant Engineers: Greg Kolchinsky
Mix engineer: George Seara
Mastered by: George Seara
Recorded, mixed and mastered: Phase One Studio, Toronto Ontario
www.phaseonestudios.com

This album features music inspired by the stage musical Stride.

For more information go to: www.twenty-one.ca
Stride was recorded with pianos graciously supplied by Robert Lowrey’s Piano Experts.

song title:
written by: - (published by): - (song time):
performed by:


1. Crazy Legs (Solo)
Doug Riley (Benarmin Music) (3:10)
Piano - Doug Riley

2. Riverdale Ramble
John Roby (Roby Music) (3:59)
Piano - John Roby

3. Carolina Shout
James P. Johnson (Universal Music) (2:55)
Piano - Doug Riley

4. Crazy ‘Bout My Baby
Fats Waller (2:58)
Piano - Tyler Yarema/John Roby

5. Gonna Sit Right Down
Fats Waller (2:38)
Piano - John Roby

6. Dinah
Fats Waller (3:25)
Piano - Tyler Yarema

7. Spring Song
Riley/Whiting (Benarmin Music/K.C Music) (3:46)
Piano - Doug Riley

8. My Baby’s Gone
John Rob (Roby Music) (2:35)
Piano - John Roby

9. Blue Menace Boogie
John Roby (Roby Music) (4:07)
Piano - Doug Riley/John Roby

10. Jitterbug Waltz
Fats Waller (4:07)
Piano - Doug Riley/John Roby

11. Baby Grand
Tyler Yarema (Socan) (4:09)
Piano - Tyler Yarema

12. Cannonball Express
Doug Riley (Benarmin Music) (4:17)
Piano - Doug Riley/Tyler Yarema/John Roby

13. After You’ve Gone
Creamer/Layton (4:14)
Piano - Tyler Yarema/John Roby

14. Keeping Out of Mischief
Fats Waller (3:18)
Piano - John Roby

15. Walker’s House
Tyler Yarema (Socan) (4:01)
Piano - Tyler Yarema

16. The Doctor’s Boogie
Doug Riley (Benarmin Music) (2:59)
Piano - Doug Riley

17 Alligator Crawl
Fats Waller (2:57)
Piano - Doug Riley

18. Crazy Legs (Trio)

Doug Riley (Benarmin Music) (3:07)
Piano - Doug Riley/Tyler Yarema/John Roby

19. Bonus Track - Spring Song
Riley/Whiting (Benarmin Music/K.C Music) (3:46)
Piano - Doug Riley/Vocal - Jackie Richardson

 

 Reviews:

The Toronto Star: (review by Geoff Chapman)

This is lots of fun, three accomplished artists showing their skill at playing stride piano, typified by a pounding left hand with more swing, improv and blues notes than its predecessor, ragtime. The biggest early performer/composer names are James P. Johnson, Ralph Sutton and, above all, Fats Waller. Here, three Hogtown-based players prove their attachment to this difficult-to-play music on 19 tunes, 10 of them originals. Four among this upbeat collection are duos, two (Riley's "Cannonball Express" and "Crazy Legs") are delightful trios and there's a bonus, the second of two versions of Riley's "Spring Song" played by him with a vocal from Jackie Richardson. The linear notes say the music is inspired by the stage musical Stride, but it doesn't need that justification. This is pure, lively pleasure from start to finish, with "Dr.Music" Riley, who creates most of the charts, predictably leading the way.


The Globe And Mail: (review by Mark Miller )

Doug Riley, Tyler Yarema and John Roby generate plenty of a good thing on Stride. Whether plenty is too much depends on how you feel about wall-to-wall piano in the jocular 1920s Harlem stride style: one, two or three players at a time. Riley's the dazzler here, a remarkable pianist who brings to stride the same technical proficiency that he has brought to a host of other jazz and classical styles. Yarema and Roby work more by feel, but all three Torontonians, in the course of 18 classic and original tunes, summon stride's complexity, vivacity and - with passing references to ragtime before it and boogie-woogie after - history.



Wholenote Magazine: ( review by Eli Eisenberg )
   
In about ten year's time, stride piano will be celebrating its 100th birthday, but whether or not any grand production will be made commemorating its emergence from early ragtime roots remains to be seen. That doesn't mean that credit isn't given where credit is due.
 
With piano guru Doug Riley's latest release on Marshmellow Records, aptly titled “Stride”, the art form pioneered by Fats Waller, James Johnson, and Willie ‘"the Lion" Smith is authentically represented and is mercifully devoid of any trendy neo-swing hype of recent years.
 
Riley brings keyboard counterparts John Roby and Thunder Bay immigrant Tyler Yarema on board for an album of solo piano, duets and two numbers featuring all three pianists and all six hands. Although the album is ostensibly under
Doug Riley’'s name, the trio format could have been taken further as youth and experience work well together when the opportunity arises.
 
Six Fats Waller compositions are on the disc including Crazy ‘'Bout My Baby, Gonna Sit Right Down, and the ubiquitous Jitterbug Waltz. Riley, Yarema, and Roby all contribute original pieces and local vocal legend Jackie Richardson makes a guest appearance on the  final track, Spring Song, a tune  composed by Doug Riley and Keith  Whiting. Whiting, incidentally,  wrote the play “Stride” which is the basis for this CD.

JAZZ USA
Your Beacon to Jazz on the Internet since 1996

Doug Riley "Stride" CD Review
In January 2006, Order of Canada Recipient and legendary Canadian musician Doug Riley released "Stride" on Marshmellow Records.
"Stride" is a collection of astounding solo, duo and trio performances exploring the classic piano style stride. Recorded with Tyler Yarema and John Roby, "Stride" includes six Fats Waller compositions along side exciting original pieces. "Stride" is pure lively pleasure from start to finish!


ejazz news
CD Release / Jazz
Doug Riley, Tyler Yarema, John Roby
Stride
Marshmellow Records / 2006

Three of the best stride pianists in Canada come together to perform for the upbeat, lively recording, Stride, featuring Doug Riley, Tyler Yarema, and John Roby.
The piano style is given a fine treatment on these 18 tracks (plus one bonus vocal track by Jackie Richardson), evoking the genius of Art Tatum, Errol Garner, James P. Johnson, and Fats Waller among others. A mix of solo, duo and trio performances, the CD is comprised of a blend of originals and classics, but the two are indiscernible when it comes to capturing the essence of the idiom.
The music is happy and a welcomed warmth that melts worries away and reminds one of a kinder, gentler time, providing great listening or background music for almost any situation. You’ll feel uplifted by the energized takes on Waller’s “Gonna Sit Right Down”, “Dinah”, and “Jitterbug Waltz” among the six visits to the composer’s body of work. James P. Johnson’s “Carolina Shout” will make you dance your baby ‘round the floor, and you’ll catch yourself humming the Craymer/Layton gem “After You’ve Gone”. Each pianist contributes original compositions to the project, with Riley’s six compositions making up the lion’s share and standing tall amongst them, with his effervescent “Crazy Legs” and “Spring Song” among his solo piano offerings, and the trio showcase “Canonball Express” firing up the stride/boogie/blues track. Roby offers three pieces including two solo works “Riverdale Ramble” and “My Baby’s Gone”, while the Riley/Roby duo take a turn on the boogie piece “Blue Menace Boogie”. Yarema contributes one original, “Baby Grand”, which showcases the pianist in a solo setting.
Stride may be reminiscent of the past as far as repertoire goes, but the sound is contemporary, with great production values and a new generation of first rate musicians performing the style with technical wizardry and a modern approach in highly complimentary performances. Utterly musical, this recording is a must-have for any piano lover, as well as any lover of quality jazz. Cindy McLeod